Dean Bradley - Artist
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Terra Infirma

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​This painting came into being in November-December 2016. It expresses the power of the forces pulling on the earth and sea during the Kaikoura Earthquake on 14 November.

Available for sale.

Fossil Ridge

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This painting, in red-ochres, chalk whites and burnt umber, strips the land back to its bones – reminding us the earth is shaped by geological forces that follow a far more ancient rhythm than human life. 

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King of the Forest

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King of the Forest  is a bold, striking work which leans more toward abstraction than landscape.  Tane Mahuta is the atua of the forests and birds of New Zealand.

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Icarus - Fallen Angel

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​'Icarus - Fallen Angel' has been created using metallic enamel paint, and scorching the wood panel using a little butane gas torch, to give a wispy ethereal effect.

Available for sale at Parker Gallery, in Nelson.

Honey Moon

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This painting is informed by a structure of seven axis lines, and has 28 marker points on the outer edge, reflecting the days of the month. Its soft colours and forms give this painting a feminine feel, befitting its lunar influences. 

Available for sale.

Anthem of the Sun

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This painting represents a departure from landscape-based work. It is the first of a series of more organic works exploring parallels between micro and macro worlds. Anthem of the Sun speaks with a cryptic, symbolic calligraphy. 

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Great Divide

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Great Divide plays on the edge where landscape and abstraction meet. The title refers to the mountains that divide the South Island and the two panels of the painting.

Available for sale.

End of the Golden Weather

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This golden painting celebrates the beauty of autumn light.

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Where the Waters Meet

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Aotearoa is a country where the dry, sandy East (below) meets the misty ocean-swept West (above).

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Djinni

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Djinni' (or genie) captures the twilight tones of the desert, whilst suggesting a supernatural presence dwelling in the landscape. 

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  • Home
  • Abstract landscapes
  • Abstracts
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    • About